MARK KOSTABI
Paintings
May
4 - June 10, 2006
Opening
Reception Thursday, May 4 6-9PM

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FOR IMMEDIATE
RELEASE:
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Adam Baumgold Gallery presents an exhibition of recent paintings by Mark Kostabi from May 4 - June 10, 2006. These new paintings are distinguished by several complex multi-figured compositions, many of which are rigorously painted in black and white while others decisively employ a lush palette of contrasting warm and cool colors. Kostabi continues his investigation of themes such as alienation, loneliness, information overload, rampant technology, materialism, corporate aggression, artistic ambition, negotiation tricks, hypocrisy, meaningless worship, the mechanical production of art, the pressure to produce for the sake of production and the compartmentalization of the human soul. Included in the exhibition is "La fiera della vanita," 2005 - a dark absurdist 21st century update of Velasquez' "Las Meninas," considered in some art historical quarters the greatest painting ever created. In Kostabi's grisaille version, dark atmospherically toned skyscrapers hover above a strange room of cute but sinister faceless beings, twittering and twirling like tops in a puzzling dance of electronic alienation. In the background a bike messenger with a laptop replaces the iconic silhouette in the doorway of the famous prequel. In the foreground a figure gestures to the viewer with finger to lips as if asking us to keep a secret that we don't know yet. In "Chain of Desire," 2005, Kostabi bluntly critiques his own mythology by showing an artist with laptop sending instructions to a painting assistant who is chained to a giant penny. The laptop artist in "control" is seated above an accumulation of more valuable currency, but both figures are ultimately locked into the same tiny black and white world, making the miniature scale of this painting essential to its meaning. In "Every
Day Feels Like Halloween," 2005, a solitary artist in his sky-lit
studio gazes at a blank canvas and notices that in his own shadow cast
upon the canvas he wears a pointed hat which is not visible in the "real"
world. Whether the pointed hat symbolizes a witch, a dunce, a party, Pinocchio's
lies or an antennae for wisdom is left for the viewer to decide. But the
message that art can make visible the invisible is crystal clear. The gallery hours are Tuesday through Saturday 11:00 - 5:30 P.M. For additional information, please contact Adam Baumgold at (212)861-7338. A preview of the exhibition can be viewed at www.adambaumgoldgallery.com. |
| _________________________________________________ * Name That Painting can be seen every Wednesday night at 8:30 in Manhattan on Time Warner Cable on Channel 56, or on RCN on Channel 108, or on the Internet every Wednesday night at 8:30 (New York time) at www |
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Consider
The Alternative, 2005 |
The
Father of Our Country Brings Ketchup to the Prado, 2005 |
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The
Fool Table, 2004 |
The
Plot to Sell Out the Q-Ball, 2004 |
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Everything
You Learn You Burn,2005 |
There's
No Place Like Home, 2005 |
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Many
Are Called But Few Are Chosen, 2005 |
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Deus
Ex Machina, 2005 |
Tra
la terza e la quarta, 2005 |
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At
Least I Hum Like Glenn Gould, 2005 |
Irony,
2005 |
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The
Five Step Program, 2005 |
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Money
Just Keeps Rolling In, 2005 |
Every
Day Feels Like Halloween, 2005 |
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Reflections
on Grace, 2005 |
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Chain
of Desire, 2005 |
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The
Diner at 4am, 2005 |
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Previous
Exhibition:
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MARK KOSTABI: 25 Years of Drawing |
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Bio:
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Press:
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The New York Times |
| ArtNet | |
| The New York Sun |