SAULiSTEINBERG .. H.iC.iWESTERMAN .. GEORGEiGROSZ .. ARNOLDiFRIEDMAN
ROBINiTEWES .. ELVISiSTUDIO (XAVIERiROBEL + HELGEiREUMANN) .. RUTHiMARTEN
SCOTTiTEPLIN .. GENEVIÈVEiCASTRÉE ..ANDRÀSiBÖRÖCZ ... ADAMiDANT
VIVIENNEiKOORLAND .. SETHiMICHAELiFORMAN .. COLINiBRANT .. NICKiBLOSSER
JOHNiDOGGi(RICHARDiPRINCE + COLINiDEiLAND) .. MARKiKOSTABI .. KEITHiJONES
K.S. RIVES.. DIANEiCHRISTIANSEN .. HEATHERiGOODCHILD .. SALLYiWEBSTER
ANTONiVANiDALEN .. CHARLESiBURNS .. BETTEiBLANK ...MARKiWIENER
REBECCAiBIRD .. JOSEPHiYOAKUM ..... AND OTHERS
More images to follow
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FOR
IMMEDIATE RELEASE
Included in the exhibition is Saul Steinberg's masterful drawing "Bleecker Street," 1971 which shows the promenade as a locus of culture of all types, from the commercial to the martial to the downright seedy. Elvis Studio's (Helge Ruemann and Xavier Robel) 29 foot long drawing "Elvis Road," 2001 extends through the endless spectacle and insanity of their dystopian cartoon city. In Seth Michael Forman's painting "Traveler, "2003 the road is a recurring theme, representing the journey of life. Arnold Friedman's painting "Stoughton, Massachussets (Winding Road)," c.1935-40 makes scenic roads seem more oblique, at once inviting and forbidding. Vivienne Koorland delves into the psychological and political significance of journeys with her blank road sign painting "Signpost," 1995. Scott Teplin's "Criss Cross Crash," 2008 features civic engineering that has gone haywire, overwhelming its fragile urban location. In John Dogg's (Richard Prince and Colin De Land) "Silver Hub," 1983 consists of Duchampian mini tires are incased in a plexiglas box, as if they have intervened to keep the rubber from meeting the road. Summer hours are Tuesday through Saturday 11:00 - 5:30 P.M. during June, Tuesday through Friday 11:00 - 5:30 P.M. during July and August. For additional information please contact Adam Baumgold at (212)861-7338 or abaumgold@aol.com. |
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SAUL
STEINBERG
"Egypt," 1967 Ink on music notation paper 19" x 12 1/2" Illustrated in Saul Steinberg's "The Inspector," |
SAUL
STEINBERG
"Walking Ladies," 1968
Ink on paper
22" x 30"
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H.C.
WESTERMANN |
H.C.
WESTERMANN |
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GEORGE
GROCZ |
GEORGE
GROCZ |
ARNOLD
FRIEDMAN
"Stoughton, Massachussets(Winding Road)"
Oil on board
17" x 34"
COLIN
BRANT
"Bluebird," 2008
Oil on canvas
18 " x 20"
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ELVIS
STUDIO
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MATT
LIENES
Untitled, 2006
Ink and watercolor on paper
12 x 9
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CHARLES
BURNS |
CHARLES
BURNS |
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SETH
MICHAEL FORMAN |
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COLIN
BRANT |
COLIN
BRANT |
GENEVIÈVE CASTRÉE
"dans ma famille, on marche (In My Family, We Walk)," 2008
Ink and wash on paper
7" x 5 5/8"
ADAM
DANT
"Clown Park," 2001
Ink and wash on paper
14 1/2" x 11 1/2"
RUTH
MARTEN
"Missing From New York," 2008
Ink and collage on paper with magnifying glass
20" x 16"
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K.
S. RIVES |
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ANDRÀS
BÖRÖCZ |
ANDRÀS
BÖRÖCZ |
SCOTT
TEPLIN
"Criss Cross Crash," 2008
pen & ink and watercolor
22" x 30"
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NICK
BLOSSER |
NICK
BLOSSER |
VIVIENNE
KOORLAND
"Signpost," 1995
Oil paint and paper on linen
16" x 13 1/2"
MARK
WIENER
"Popcorn Manhole Cover 2," 2008
Mixed media on paper
20" x 16"
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BETTE
BLANK |
BETTE
BLANK |
KEITH
JONES
Untitled, November 29, 2005
Ink and watercolor on paper
15" x 11"
REBECCA
BIRD
"After Koninck," 2007
Ink on velum
9 1/2" x 9 1/2"